Day thirteen of the September Exploitation Challenge:
SS CAMP 5: WOMEN’S HELL (1977)
D. Sergio Garrone
Media Blasters/ Exploitation Digital
1.85
This late entry in the Nazisploitation sub-genre is fairly tame when compared to some of it’s brethren like THE BEAST IN HEAT or even the first ILSA film. In fact the first hour or so of SS CAMP 5: WOMEN’S HELL is actually kind of dull despite the fact it is chocked full of shower scenes and naked ladies. The pacing is just kind of lackluster and languid, never really bothering to grab a forward motion. All the elements are there, the Lesbian warden, the shower scenes, the Nazi experimentation. But the film just is too staid and lush to really have the nerve it needs to be truly aggressive.
This in spite of the fact that it opens with a really tasteless succession of photos of real holocaust images with the credits super imposed. So the first images we see are piles of human bodies being pushed into pits or ovens reminding us this is a reality based thing. then next we meet a group of women played by actresses all way to healthy to actually be prisoners of war in an actual concentration camp. These gals are being hauled it to be trained to be prostitutes for the Third Reich including a feisty black gal who will become the hero of the story. We also meet a trio of scientists, including one Aryan soldier/doctor who will take a shine to the Black gal, one die hard German scientist and a Jew who is there as a prisoner with his beautiful Daughter (who looks a lot like Anna Paquin). The typical stuff happens. several girls plot an escape attempt that you just know is going to go wrong when they mention the escape route is through one of the ovens that has a crack on the other side.
The Black gal seduces said Aryan Scientist with a Booga Booga Jungle dance with a banana tied to her nude waist and he is instantly in love (no I am not making this shit up!). They talk racial politics before and after they have sex, explaining how he feels his Aryan pride because he feels like he is owning her until he will have to kill her on “Victory Day”! Eventually the really angry Soldier (who looks like a cross between Kojack and Vic Diaz from those Filipino movies) tortures a bunch of girls who he thinks helped mastermind the escape attempt. This scene is especially nasty and brutal and really turns the movie around from what was basically a slow going and silly sexploitation movie to a really crunchy, ugly exploitation flick. Heads are crushed, a gal is gutted with ninja claws, fingernails are pulled out and the last girl has her tongue pulled clean out of her head after being whipped! Suddenly we are in the land of no return as This dude starts tearing through the cast, raping/impregnating the Jewish daughter, and causing general mischief.
Then suddenly the movie takes a shard right turn into Right To Life land as the daughter wants an abortion and her Daddy tries to talk her out of it with a speech about spreading the blood of the righteous to everyone in the world (that doesn’t sound all that different than the propaganda the Nazi’s were selling pops!). When he walks in on her getting an abortion he goes apeshit and tries to kill the doctor! Whoa, I think I know where he goes to church at!
It all boils to a head with a revolution and the Russians invading, and we get a bit of a history lesson AND a big gunfight too.
So all in all, though it starts off rocky, SS CAMP 5: WOMEN’S HELL gains it’s footing in the second half and is worth taking a look at for the fans of this low on the totem pole sub-genre. It is not the best of the bunch by any stretch, but one could do worse too. The disc from Media Blasters certainly looks nice, and has an fun interview and some other Nazisploitation trailers.
D. Sergio Garrone
Media Blasters/ Exploitation Digital
1.85
This late entry in the Nazisploitation sub-genre is fairly tame when compared to some of it’s brethren like THE BEAST IN HEAT or even the first ILSA film. In fact the first hour or so of SS CAMP 5: WOMEN’S HELL is actually kind of dull despite the fact it is chocked full of shower scenes and naked ladies. The pacing is just kind of lackluster and languid, never really bothering to grab a forward motion. All the elements are there, the Lesbian warden, the shower scenes, the Nazi experimentation. But the film just is too staid and lush to really have the nerve it needs to be truly aggressive.
"Apparently it was all dancing on the table and fun during WWII."
This in spite of the fact that it opens with a really tasteless succession of photos of real holocaust images with the credits super imposed. So the first images we see are piles of human bodies being pushed into pits or ovens reminding us this is a reality based thing. then next we meet a group of women played by actresses all way to healthy to actually be prisoners of war in an actual concentration camp. These gals are being hauled it to be trained to be prostitutes for the Third Reich including a feisty black gal who will become the hero of the story. We also meet a trio of scientists, including one Aryan soldier/doctor who will take a shine to the Black gal, one die hard German scientist and a Jew who is there as a prisoner with his beautiful Daughter (who looks a lot like Anna Paquin). The typical stuff happens. several girls plot an escape attempt that you just know is going to go wrong when they mention the escape route is through one of the ovens that has a crack on the other side.
"This gal made for an impressive hero by the end of the movie. Even if she did do a seductive dance with a banana."
The Black gal seduces said Aryan Scientist with a Booga Booga Jungle dance with a banana tied to her nude waist and he is instantly in love (no I am not making this shit up!). They talk racial politics before and after they have sex, explaining how he feels his Aryan pride because he feels like he is owning her until he will have to kill her on “Victory Day”! Eventually the really angry Soldier (who looks like a cross between Kojack and Vic Diaz from those Filipino movies) tortures a bunch of girls who he thinks helped mastermind the escape attempt. This scene is especially nasty and brutal and really turns the movie around from what was basically a slow going and silly sexploitation movie to a really crunchy, ugly exploitation flick. Heads are crushed, a gal is gutted with ninja claws, fingernails are pulled out and the last girl has her tongue pulled clean out of her head after being whipped! Suddenly we are in the land of no return as This dude starts tearing through the cast, raping/impregnating the Jewish daughter, and causing general mischief.
"This guy is not going to make it very long for crossing this boundary! You can kill thousands
of Jews, and commit genocide, but perform Abortions and your days are numbered!"
Then suddenly the movie takes a shard right turn into Right To Life land as the daughter wants an abortion and her Daddy tries to talk her out of it with a speech about spreading the blood of the righteous to everyone in the world (that doesn’t sound all that different than the propaganda the Nazi’s were selling pops!). When he walks in on her getting an abortion he goes apeshit and tries to kill the doctor! Whoa, I think I know where he goes to church at!
"Suddenly Max Hardcore takes over the directing of the movie."
It all boils to a head with a revolution and the Russians invading, and we get a bit of a history lesson AND a big gunfight too.
"I think this is actually a shot from my friend's basement..."
So all in all, though it starts off rocky, SS CAMP 5: WOMEN’S HELL gains it’s footing in the second half and is worth taking a look at for the fans of this low on the totem pole sub-genre. It is not the best of the bunch by any stretch, but one could do worse too. The disc from Media Blasters certainly looks nice, and has an fun interview and some other Nazisploitation trailers.
Review © Andy Copp
No comments:
Post a Comment