Last night I unofficially launched my
Halloween Horror Challenge with the couple of HAMMER HOUSE OF HORROR
episodes I watched. Tonight is the first feature film in the
challenge this year. And yes I am fully aware that I am a week ahead
of schedule, but I want to try to get as many in as possible this
year.
THIRST (2009)
D. PARK CHAN WOOK
D. PARK CHAN WOOK
FIRST LOOK PICTURES
2.35
This very quirky vampire comedy is a
strange creature indeed. Coming from the director of OLDBOY one
expects it to be left of center. But this films throws the compass
out entirely to find its own unnatural bio-rhythms.
Kang Ho-Song stars as a priest named
Sang Hyeon, who chooses to go to a secluded hospital to be part of an
experiment to help cure a deadly disease called EV. In doing so he
understands he takes the risk of dying from the communicable virus.
But during the process he ends up with something worse. He becomes a
vampire, but yet is still carrying the disease as well. He becomes a
martyr figure to all those suffering from fatal afflictions, all of
whom ask him to pray over them in hopes of a cure. They even camp
out in tents like an I-Phone sale in hopes of him laying on of hands.
Working the hospital he meets a family he spent a lot of time with
when he was an orphan child. Because the eldest boy Kang Wu ( Ha-Kyun
Shin) has what appears to be cancer. Sang ends up living with the
family and falling into a torrid affair with Kang Wu's wife (and
former adopted sister) Tea-Ju (a blistering performance by Ok-Bin
Kim). Soon there is murder being plotted and more characters entering
the Living Dead fold.
While this is a vampire film, and
therefor already part of a VERY tired sub-genre, there is NOTHING
normal about THIRST. Tonally it is a bizarre and quite gory black
comedy. But under the surface it is thematically about poison
relationships, weather they be between couples or even one's
relationship with God. The vampirism is treated much more like a
medical virus that brings out the worst in each character. Making them MORE of what they already are. Sang-Hyeon is a gentle God
fearing man at the start and slowly, almost against his will becomes
a monster who will kill to satiate his lusts. Tea-Ju on the other
hand takes to being a monster quite easily, lying, cheating and
ultimately killing, a lot, to meet her new needs.
But even with all the heavy thematic
elements the film still succeeds at being funny and scary too. It
never tries to be a knock you out scare fest. Instead the movie is a
slowly creeping up kind of nasty scare that candy coats the bullet
with quirky humor.
A great change of pace horror film for
those looking for something quite a bit different.
Review © Andrew Copp
Review © Andrew Copp
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