THE BUNNY GAME (2012)
D.Adam Rehmeier
Autonomy Pictures
HDAutonomy Pictures
Some horror fans pride themselves in
searching the outer reaches of the genre for those films that will
psychologically scar them. Recent years have seen the genre move to
those outer edges in a reaction to a not so subtle seismic shift in
our culture after 9/11, ten years of a war in Iraq, and watching our
economy plummet while people blame each other. The horror film has
always been a mirror to the anxiety of the society of the time, and
with the viciousness of our current times it is no surprise we have
ended up with films like EDEN LAKE, MARTYRS, BROKEN and of course the
very ugly and controversial A SERBIAN FILM. Now we have another very
unsettling film to throw onto the short list of movies that will lay
a long and nasty scar on your brain. Adam Rehmeier's and Rodleen
Getsic's searing cinematic assault, THE BUNNY GAME.
But this one is quite different than
even the other (some quite excellent) films mentioned, as it is as much an art film as a
horror film. Shot in harsh black and white, and edited with near
brilliance at times, this is a movie that is very aware of the
artifice being used to bring it to the audience. The film-making on
display is never less than completely assured, coupling with a nerve
wracking use of sound design and loud and abrasive music all collide
to make THE BUNNY GAME an experience that only a brave few will make
it out alive from.
The story is really very simple. A
young woman played by co-scripter Rodleen Getsic, is BUNNY, a woman
who has found herself a prostitute. Whoring her way on the streets to
survive. These early scenes, which make up roughly the first quarter
to a third of the film, are deeply unpleasant and the perfect flip
side to a movie like PRETTY WOMAN which makes prostitution look easy,
clean, and never really dangerous. BUNNY is shown plying her trade in
hardcore close up, sucking cocks but never for a second enjoying it.
Soullessly getting roughed up, but taking it because it means enough
money to get through the day. We see her in the shower in tears as
she adjusts to getting past her last encounter and on to the next
nasty John. Much of this is scored with super loud and abrasive death
metal music just to add to the even more aggressive feel.
Soon she is picked up be a seemingly
benign old truck driver played by Jeff Renfro. After a brief
discussion of exchanging money for sex, he offers her some drugs and
next thing she knows she has been kidnapped and her life is about to
become a living nightmare.
From here on out the film is an
aggressive onslaught of humiliation and torture. The Trucker
systematically sets out to break her, emotionally, spiritually and
sexually. Holding her captive in the back of his tractor trailer,
stripping her down, shaving her head and playing an extending,
extremely brutal S+M based game of total dehumanization. Oddly enough he never actually sexually penetrates her, but the
entire enterprise is basically one long extended emotional rape of
her very being. During some moments she has a rather disturbing
rubber Bunny mask on that further dehumanizes her. All the while the
Trucker laughs maniacally becoming a very demonic presence, leading
the charge in this nightmare.
THE BUNNY GAME could have been just
another torture exhibit freakshow for gorenographers to jerk off to.
But instead the film-making on display sets it apart from that. There
is real force of nature at work here. Seriously unpleasant stuff, but
not without merit. Even if I had not known the back story why this was
made I would look at this film and see there was more to what was on
screen than simply an exploitation of a woman’s suffering.
One thing that indeed set's this apart
from the horror film of it's peers is that NOTHING on screen is fake.
That very fact risks making this a bit of a geek show, but it also
lends the movie a visceral, raw authenticity that makes it impossible
to escape from. So when we see BUNNY being bound, gagged and
tormented it is for real. When her head is shaved and she is force
fed a whole bottle of vodka, it is real. In the same scene there are
cars in the far distance driving by that are clearly not part of the
film-making crew. Just people tooling down the highway that adds a
very disturbing edge in that we are watching this bound, naked woman
being abused and people are just driving past. The sexual scenes
early on are not fake, and there are several scenes of things like
cutting and branding that are not fake either.
All of this is possible because
Rodleen Getsic comes from a performance art background. Most of her
former work dealt with feminist and political themes. She also was
very involved with things like political activism and was well known for
her charity and philanthropic work during the Katrina disaster. It is this background that
allowed her to take the punishment netted out in the part. But more
importantly is the WHY she conceived the the film and role. It is my
understanding that some where in her past she was indeed abducted by
a sexual sadist and suffered greatly while held hostage. To wipe the
experience from herself she conceived this project as a way to
exorcise the demons. Getsic fasted for forty days to get to a
physical place to play the role and they shot the for film for 13
days during which she committed to taking all the abuse as close to
reality as possible. Including the very real violence. Once the shoot
was finished she went away to a retreat for a month to rid herself of
the emotional experience of the shoot and the memories it was based
on.
Some films are not meant to be enjoyed,
or even be entertaining. Some are meant to be endured as they very act
of making them were acts of rebellion for the filmmakers. THE BUNNY
GAME is one such film. It isn't for everyone, only a select few will
be able to stomach the horrors on display. Approach it with extreme
caution, and understanding that what you are seeing is an act of
extreme catharsis. It could damage you if unprepared.
Andrew Copp © Review
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