KLOWN KAMP MASSACRE (2011)
D. Phillip Gunn
Troma
Troma
This recent release from the insane (or
is it inane) folks at TROMA seeks to tame the balance between horror
and comedy once again, between camp and clowning around, between gore
and balloon animals. The results are a game changer, the kind of film
that redefines the genre. That looks at the rules of genre and
decides that it is time to totally do away with them and start over
fresh. You've never seen a movie like KLOWN KAMP MASSACE and more
than likely never will again.
The movie opens with a psycho Clown
named Edward at Clown college going on a killing spree. The is being
recorded. Jump forward a few years and the local clown camp is being
re-opened, complete with a group of misfit, knuckle heads who hope to
make it big as clowns. But psycho Edward is still running around the
camp doing people in.
The movie uses the expected iconography
of the slasher genre and deconstructs it using the comedy elements,
fusing it with clown jokes and costumes, causing it all to be a
juxtaposition of styles. By doing so this becomes a celebration of
not only the horror film of which it constantly looks back at the
audience with a wink and a grin, but of the idea of the scary clown
but giving us those clowns as victims. Obviously the whole point of
the movie is to say to the average horror fan that “Your
expectations are too high, so we aim to shoot lower and keep those
expectations in place. It is as if the filmmakers where looking at
the horror fandom itself and saying “ Look we see that you think
you are cooler than this material, but you really aren't not. We see
what has come before and we have digested that and made this from all
that has come before. All you fans with high and mighty expectations
can just go get fucked because this is just us having fun. But
completely restoring faith in the genre is the process.” The sting
in the tail of the movie makes the while thing end up be oh so “meta”
as it folds in on itself and changes once again.
In all honestly the movie ends up
becoming a little bit charming, with a couple of jokes that work
including the ICP kid, and a couple of fake commercials in the final
moments.
So KLOWN KAMP MASSACRE kills the kompetition,
REVIEW © Andy Copp.
- I actually Watched KLOWN KAMP MASSACRE after coming home from seeing CABIN IN THE WOODS a movie I really did not care for. The reaction to CABIN online has been overwrought at best with fans and critics falling to their knees in praise. This entire review of KKM is made of of actual hyperbole from online posts and reviews for CABIN but when applied to another movie not associated to a filmmaker with a set godlike status hopefully people can see how insane this stuff sounds.
Very clever bit of business, here - Mr. Copp. As the quips you've chosen from those reviews prove, treating the artists you admire as idols is bad business (not to mention the death of critical thinking).
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